The room my mother died in seemed to be waiting for spring. It was a large, westerly-facing room with a windowed balcony onto a rolling wetland. We’d seen elegant Great Blue Herons wading in the pond during my mother’s previous care center visit, at summer’s peak. The pond was frozen now, drifted over with snow, ringed by skeletal maples and willows and the brown husks of dormant wildflowers.
From my mother’s bed, you could gaze directly out over the wetland. The vista had the spare, weary, beauty of winter; grey and white; architectural. Spring would be glorious. But even now, in winter’s diffused light, the room was still something to behold: spacious and sun-dappled, its freshly carpeted tidiness thrilling after the slovenliness of my mother’s first room. The large closet! The sparkling bathroom! The slender table holding a large vase of silken poppies I’d brought it, so real-looking their leaves were fraying from the inquisitive pinches of aides. A cd player on the nightstand, left by hospice’s music therapy team, cued to a new age piano cd called “Healing.” The pleasing hush of the choice end-of-hallway location; the soft whoosh of my mother’s oxygen concentrator, the gentle bubbling of the humidifier.
Procuring this serene and lovely room for my mother was a triumph. After hounding the staff for three weeks, it took a burst of full-throttle fury for me to at last spring her from the appalling shambles of a room on the ground floor. The snapping point had been that long Saturday evening when the world seemed to pitch sideways: That companionable and fervid night in the cramped room where clutter reigned and blankets were banked against the frost on the window; the night my mother grieved her vanishing vision and fretted about my 401K; the night I wept in a wing chair in a dimly lit lobby as the hospice nurse told me my mother was not going to take anywhere near 9 months to die.
By Monday—having used the word disgraceful, having emphasized tomorrow, having been ready to snap photos for a complaint to the state—I got confirmation from the social worker: “Your mother is being moved this afternoon.” A primo room, the care center’s jewel, I learned. Later, another social worker told me there’d been an internecine dispute about it from the moment the previous resident had died: “I’d promised the room to someone else, someone ahead of your mother on the waiting list,” she said. “Your mother’s needs were more urgent, but … Well, your mother had come off Medicare first, so that did give her an edge.” She paused. “And of course there were clearly some issues with your mother’s previous room.”
Blissfully unaware of these negotiations, or of how I had all but rioted on her behalf, on Monday evening my frail and bewildered mother was finally rolled to her new room in a wheelchair. She took the brief journey—a short hallway, an elevator, a long hallway—with her customary interest, smiling at aides, perking up at sight of the piano in the second-floor commons. The exertions of moving and resettling exhausted her, though, draining what minute dribs of stamina she had.
But there she was, at last, my mother, tucked like a pea-sized queen into fresh linens in a room so agreeable it bordered on the fabulous. She lay propped on her mountain of pillows just two feet from the large window with its wetland vista that all but promised a magnificent spring. How beautiful it will be! I began to say to my mother, but stopped; mentioning spring wasn’t smart; it would only have triggered one of my mother’s frequent bouts of anxiety about where she was, and why, and when she might go home.
And of course, I knew that my mother was not going to make it to spring. I also knew, as I looked at my tiny broken wren of a mother, her shoulders heaving, her breaths growing both more jagged and shallow, that I couldn’t possibly wish that for her, and didn’t.
She went faster than I had imagined or was ready for. She had just three days in that halcyon room, not even enough time to sample all the soothing hospice ministrations queued up to ease her dying: the massages, the music therapy, the pastoral visits, the little juice glasses of wine that would be catnip for her and might even, the doctors said, be good for her laboring lungs.
She didn’t see spring stir in the wetland, didn’t make it to February, didn’t even last a week. But I do know that she found in those serene surroundings whatever it was she needed for letting go, for the release of her spirit. Initially, she found the large, quiet room perplexing—not a hospital room, not an apartment; what then?
But the day she died, as I knelt by her bedside massaging her forehead, one of the few sentences she uttered from her dozy drifting consciousness was about the pleasure of being in that room. “How do you like all this?” she said with a half wave of her hand. Her eyes were closed and there was a calm smile on her face. She nodded slightly. Then she patted my hand. “So quiet,” she murmured. “Peaceful.”
